Tuesday, 16 October 2018

Overlocker Unlocked - Insides



Other than the speed at which garments (mainly jersey ones) can be sewn on an overlocker, by far the best thing about overlocking for me is how beautifully finished the insides are. I love being able to put on a garment and admire the seams, somehow it just makes getting dressed in the morning that bit better (or at least to me it does)! In a lot of my un-overlocked garments the seams are fraying or the stitching is less secure and is starting to break. Even finishing edges with a zigzag stitch doesn't prevent fraying completely so it feels like such a treat to have beautifully overlocked seams without a fraying edge in sight. Today I thought I'd go through some photos of the insides of some of the overlocked garments I've made.
Personally, I enjoy spending time on projects to make them look beautiful on the inside as well as outside but it's tempting to just get the sewing finished without having to bother making the wrong side of a garment look nice too - after all, no one will see it. Overlocking is a great way to get a lovely finish on the inside but without spending too much time on this step.
















Let's begin with some jersey makes. Although knit fabrics don't benefit from overlocking to counter fraying in the same way that woven fabrics do, it's still a really good idea to overlock them if you're able to. Not only does it speed up the process and allow for neat insides, the stitching has the massive benefit of being stretchy. I would also add that it's worth taking the extra time to change the overlocking thread to a matching colour, even it it's just from white to black. Although you can't see the stitching on the right side, if your fabric has a really big contrast (for example if the fabric is black and the thread is white) there is always a slight chance that the stitches will show through. I've written a tutorial here on a really quick way to change the threads of an overlocker if that's something you're interested in.


I've found that on jersey fabrics in particular overlocking has really helped to improve my neckbands. I have to say though, overlocking neckbands is a mixed blessing; I believe it was on this t-shirt that I had to unpick the neckband after I sewed it on the wrong way. It took a long time! However, I still think that the promise of a beautifully neat neckband outweighs the threat of unpicking and after that incident I always check multiple times before beginning to sew a neckband. I actually really enjoy sewing neckbands now. Despite their annoying tendency to gather, I've found that with lots of pins and stretching the neckband as I sew has solved this problem and I love the finish that an overlocked and topstitched neckband gives.


The inside of this t-shirt in particular is a classic example as to why putting on overlocked clothes makes me so happy! It just looks so neat and professional...


Moving onto some pictures of woven tops. I explained in this post the approach I like to take when overlocking woven fabrics and I really love the above picture. Sewing with denim is probably my main exception to my match the thread with the fabric rule, because I love the contrast between the white overlocking and the dark denim. So long as the thread tension is high enough the stitching shouldn't show through at the seams and I've also found that the thread tends to show less with woven fabrics than with knit fabrics. Even though it's only me who sees the inside it still makes me happy! 



In the case of fraying seams you really cannot beat an overlocker. I actually find the pattern of overlocking stitches quite nice too and on a pressed seam it gives a similar affect to a hong-kong finish which is quite nice. I don't have any photos of the tops I made before I knew that woven seams had to be finished but take my word for it, once you see something fray quite that badly you won't make the same mistake twice!
I hope you enjoyed looking at a few photos, this was somewhat different to what I usually write about but I really love being able to reflect on previous garments and I also love a bit of overlocking!

If you'd like to read any other posts in the series, you can do so here.

Monday, 8 October 2018

Pink Rib Top


As you may have noticed, blush pink (or any kind of pink for that matter) isn't a colour that I tend to wear or sew with. Despite this, I've been thinking more and more about sewing a garment in blush pink, particularly as I've seen quite a few items in this colour on the high street recently. When I was choosing this fabric on the Minerva Crafts website, I very nearly fell back on a navy or grey colour way, but I was determined to try out the blush pink and I'm so glad that this fabric gave me the option to do that because I love it! I can already see many more garments this colour in creeping into my wardrobe via my sewing machine...


I wasn't sure how stretchy the fabric would be and I did initially expect it to have a much larger stretch percentage like a typical rib fabric does. Because of this, when the fabric arrived I wasn't initially sure about what to make out of it. I often find that rather than rushing into a project (which is tempting when gorgeous fabric arrives in the post!) I much prefer the end result if I think about the design of the garment for a while so that I end up with a finished item which is perfect for both the fabric and what I want to wear.
As often is the case, it was my Mum who first came up with the idea for this top. I love mock neck and turtleneck collars and I had initially planned to make a Freya top out of the fabric. Because the fabric is nowhere near stretchy enough to make a Freya, I started to think of different options which could still involve a high neck. My Mum suggested a much wider collar which sat further away from my neck with the top coming into a boxier shape similar to the Linden. While I was still pondering over which pattern I could use/hack, one of my friends came round wearing the perfect jumper. It was exactly the pattern I was looking for and although I can't find the exact jumper on the shop's website anymore, picture a grey knitted version of this top. Of course I immediately asked if I could borrow it to copy and she very kindly leant it to me and it really is the perfect pattern!



I've made so many tops and jumpers that the techniques are comfortably familiar. I did want to add another detail to this top though, so I decided to leave the back longer than the front and create a split-hem. This was so simple to do and I love it! It's a really simple detail but I think that it adds a lovely bit of interest to the top. It also means that I'm going to be adding split-hems to a lot more tops in the future!
Other than adding the split-hem, I pretty much copied the jumper exactly. I was initially worried about the width of the sleeves which are quite wide. While the width looks great with the heavier knit of the ready-to-wear jumper, I was worried that the medium weight rib fabric would collapse rather than holding the shape and that it would look a bit strange. Expecting to have to take in the sleeves I tried the top on and found that I actually really like the width of the sleeves. I think it works really well with the boxy shape of the top and the drop shoulder.


As you've probably guessed by now I absolutely love this top! It's exactly the time of top that I'll wear continuously over the next few months, certainly with a thermal underneath as the temperatures drop! My Mum said she loved it too, which is always the best compliment. Part of the success is definitely the fabric, the drape is so lovely and as it turns out the colour is a winner.

Wednesday, 3 October 2018

Flossie Teacakes Guide To EPP - Book Review


I have a very exciting book review to share today! Although my sewing tends to be mainly dressmaking based and this blog reflects this, English paper piecing has always been something that I love to do. I find that hand piecing is extremely meditative and relaxing, and EPP is perfect to bring away on holiday or to sew in the evenings while watching television. One of my favourite blogs Flossie Teacakes (which I have mentioned before) is one of the most fantastic places for seeking English paper piecing inspiration. As someone who creates the most astonishingly beautiful and intricate projects, it seems only natural to me that Florence should write a book on EPP and for the said book to be wonderful.


What I love about this book is that it seems to cover everything. It's split into five sections: The World of English Paper Piecing, Spotlight on Modern EPPers, Introduction to English Paper Piecing and the final two sections are on sewing the patterns included with the book. While it's perfect for beginners and has clear and detailed instructions on how to learn how to paper piece, it also provides both information and instructions for people of all abilities. One of my favourites sub-sections is the one on fussy cutting, a method which I haven't yet tried but that I've always wanted to.

I enjoyed reading all of the sections but I think that my favourite has to be the first one, The World of English Paper Piecing. History is my favourite subject and I love to read about it; sewing is my favourite hobby and something that I am also passionate about. To be able to combine sewing and history and read about this in a book is one of the things that for me made this book so enjoyable to read. I particularly enjoyed reading about Lucy Boston, 'the woman behind one of the most famous English paper piecing patterns.

Florence also includes several extracts all about the psychology of sewing, such as working with our hands. It's a fascinating read in itself, in my opinion even for people who don't sew. One of the things that I liked about the book was the layout, it seemed to be a way starting an EPPed journey from learning about it's history to hearing about modern makers and finally creating your own project. I also liked how the section on modern EPPers was placed after the historical section, for me it allowed the idea that this is a something that is still continued today despite being hundreds of years old to really resonate.


As I mentioned, at the end of the book there are patterns! I still can't believe that as well as interesting reads and never-ending inspiration as well as tips, there are patterns available with the book too. I decided to make one of the three rosettes, the Billilla rosette. It features an interesting but not intricate pattern and was a really satisfying sew. One of the great things about rosettes is that they are much faster to complete than ordinary EPP projects, although now I've made it I'm not quite sure what to do with it! One of the things I liked about the design is that it looks great fussy-cut (see the front cover of the book for what I mean) and I think it would be a great pattern to use for a first fussy-cut project.


Overall, I honestly couldn't recommend this book enough! It seems to contain everything you need to know about English Paper Piecing and more, not to mention the fact that the pictures included are inspiring and Florence's style of writing is brilliant. I know that this is a book that I'll be going back to time and again to re-read the articles inside and try out some of the other projects.